AGNOWLEDGMENTS

Along this research I played and worked with an extensive group of people (among musicians, artists, techniciens, producers, fellow researchers and supervisors) who helped, in a direct or indirect way, shape and develop this project. They were part of the contexts in which I presented MEDUSA and therefore a fundamental axis of the specificity of this reseanrch.
I thank them for the cooperation:

PEDRO REBELO, SIMON WATERS, HELENA ESPVALL, DAVID MARANHA, NORBERTO LOBO, NUNO MORÃO, ORLANDO TRINDADE, FRANSZISKA SCHROEDER, ANDRÉ CEPEDA, ANGHUS MCEAVOY, BRUNO PARRINHA, LUIS LOPES, LORCAN DOHERTY, TRISTAN CLUTTERBUCK, RODRIGO AMADO, GABRIEL FERRANDINI, PEDRO SOUSA, PEDRO LOPES, HERNANI FAUSTINO, RODRIGO PINHEIRO, GUSTAVO COSTA, HENRIQUE FERNANDES, JOSÉ ALBERTO GOMES, MARILYN CRISPELL, RAYMOND MACDONALD, QUBE ENSEMBLE, VERA CORTÊS, ANNE LA BERGE, ROBERT VAN HEUMEN, UNA LEE, NUNO TORRES, TRAVASSOS, PER GARDIN, GONÇALO ALMEIDA, FRANZISKA SCHROEDER, JOANA GAMA, LUIS FERNANDES, ANGELICA SALVI, JOÃO PAIS FILIPE, PEDRO TUDELA, MIGUEL CARVALHAIS, MARCO FRANCO, STEVE DAVIS, MARINO FORMENTI, LUCIANO CHESSA & THE ORCHESTRA OF FUTURIST NOISE INTONERS, PASCAL NIGGENKEMPER, ELISABETH CODOUX, FELICIE BAZELAIRE, BEATRIZ CANTINHO, DIOGO ALVIM, MARTA CERQUEIRA, JACOME FILIPE, FILIPE PEREIRA, SUSE RIBEIRO, FREDERICO ROMPANTE, YAW TEMBE, BERTRAND GASTAUT, JONH BUTCHER, MATHIAS STALL, SEI MIGUEL, FALA MARIAM, LUIS VICENTE, GUNDA GOTTSCHALK, YEDO GIBSON, MATILDE MEIRELES, FILIPE SILVA, MATT ROGALSKY, ALBERTO LOPES, NICHOLAS BOYLE, SIMON ROSE, PAUL STAPLETTON, DAVE STOCKARD, TULLIS RENIE, KEVIN MCCULLAGH, JOANA GUERRA, MARIA DO MAR, MARIA RADICH, RICARDO RIBEIRO, RICARDO FREITAS, JESS ASLAM, ROBERT BENTTAL, EMMA LOYD, JOHN DARCY, JONATHAN IMPETT, LISA CONWAY, MIGUEL ORTIZ, NICHOLAS COLLINS, RUI CHAVES, EDUARDO PATRICIO, SARA MORAIS, MATILDE MEIRELES, TULLIS RENNIE, MARTA ??(PIANO), BRIGHDIN F..???,